Friday, 29 January 2010

Bournemouth Diaries

Are Parents Obstructing the Betterment of Shocking Child Poverty?


As reported by the independent children's charity Save the Children, over 100,000 children in the South West are living in severe poverty, deprived of the basic essentials such as warm clothes and food.


According to them living in severe poverty means living on less than £12,220 a year leaving families £113 a week short of what they need for everyday essentials such as food and clothing.

The latest report “Measuring Severe Child Poverty in the UK”, commissioned from the New Policy Institute, reveals that 1.7 million children across the UK live in severe poverty. That is around 13% of all UK children.

Save the Children Director of UK programmes, Fergus Drake, said: “The Government has failed to focus its attention on the children who need help the most. We need support on a radically bigger scale to be targeted at those living in severe poverty so they can get back into work. Without that focus the government will continue to tread water on tackling the unacceptably high numbers of children living in families whose lives are being destroyed by poverty."

In Bournemouth, high poverty only appears to be hidden by it being a predominantly rich area with tourism and developed industry. It is said that the latest figures published by HM Revenue and Customs show that 20.8 per cent of all children living in Bournemouth are living in poverty.

Bournemouth Council works in partnership with seven children centres and children's information service, covering a wide range of areas.

Stokewood Children’s Centre, which covers Moordown and East Winton, is run by Barnado’s, a British charity founded by the Irish Doctor Thomas John Barnardo in 1866. It provides a broad offer of activities aiming to advise and teach families in need how to reach progress.

However, the crucial problem is getting the families interested to participate and be helped. The Centre’s main challenge is finding and reaching the poverty stricken parents.

“We are not meeting targets for the neediest families, because you have to know where they are, and you can’t force people to come and register,” says Family Support and Outreach worker at Stokewood Children’s Centre, Janet Chaproniere.

The centre operates relying on their links with other local communities and partnerships with health and education authorities and social services. They receive referrals from these organisations, but there are children who are not meeting the thresholds for getting help. Local Social worker quoted that there are 136 children in need who are waiting to be allocated to a social worker.

Parents with mental health issues are another increasing problem amongst many causes of child poverty.

“A parent who really wants to help their child out of this situation would put their child first, but when a parent suffers from depression they’re not able to do this. They live in their own world, they cannot move away from themselves, and the child suffers for it. Depression, clinical or imaginary, is what inhibits them from doing anything positive and a lot of people sometimes haven’t got the strength to help their families, so getting them here is the first step,” said Mrs Chaproniere.

Jane Portman, Executive Director for Children and Families Services in Bournemouth, admits that fighting child poverty is not something the Council can do alone and, with the support of partners, the priority of their work is to help the local families with the necessary support.

“Our work includes providing advice on health and wellbeing, offering education and learning opportunities, assisting with childcare and giving employment advice and help. Our welfare team also helps families to access the financial help they are entitled to," stated Jane Portman.

Stokewood Children’s Centre feels that many of their problems would be eased if the government should put more money into social housing. Damp is an immense problem for the children’s health and causes frequent instances of children with respiratory problems, asthma and reoccurring infections.

Mrs Chaproniere continues: “Even though it was the government’s initiative to change the law with Every Child Matters and by this they included the child centres’ agenda into the British everyday life, we would like to be certain that this would remain a long term commitment for them and, even if the government changes, they will carry on with children centres.”

Thursday, 21 January 2010

Bournemouth Diaries

Opening Night of "Frankie and Johnny in the Clair de Lune" with Kelly McGillis and Rolf Saxon

“1987, New York City. Frankie’s one room apartment in a walk-up tenement in the west 50’s. It is the early hours of a Sunday morning in March,” as last night’s premiere of Terrence McNally’s provocative play begins at the Lighthouse Theatre. 

Based on 1987 Off-Broadway hit, the play captures the gloomy realism of McNally’s dark romantic comedy about Frankie (Kelly McGillis) and Johnny (Rolf Saxon), two lonely middle aged people whose lives have passed them by without the fulfilment dreamt of in their youth.


Frankie is a waitress in an American “greasy spoon” diner; Johnny is a recently hired short order cook. It is the night of their first date and the lights go up as we find them groaning through an orgasm. Johnny believes that he has found his soul mate in Frankie, but she, however, is far more cautious and certain that sex is all they could give each other, nothing more. The night unravels their longings and fears as they take vigilant steps towards the possible start of a new relationship, beginning with the writer’s optimistic ending - intimate domestic activity of brushing their teeth.

McGillis’ and Saxon’s only 3 weeks rehearsed performance remains shadowed by the popular Garry Marshall’s 1991 film “Frankie and Johnny” (starring Al Pacino and Michelle Pfeiffer) as the stage reveals their acting weaknesses unprotected by the safety of camera lens.

The slightly excessive shouting on McGillis behalf was distracting and could only be interpreted as her attempt at creating the exasperated character of deeply hurt Frankie, much wounded by other men in her past. However, apart from suggesting a neglected voice technique, this loud speaking did not portray a tough waitress whose armouring mask actually hides her generosity, and McGillis’ interpretation remained only two dimensional.

Despite the fine direction of Michael Lunney, and well developed situations, recognisable and metamorphic in the drawing writing of Mr McNally, the two actors did not yet reach the spontaneity and conviction needed to override the moments where the creation of their roles is still rigid, relying on the over potentiating of the existing humour of the play. But, as Johnny quoted Shakespeare, “If music be the food of love, then play on!” as tonight could have been the misfortune of the first performance.

Tuesday, 19 January 2010

Bournemouth Diaries

Kube Art Gallery Closure

TV package about the closing down of Kube art gallery in Poole UK,16th January 2010. The video shows art works by Henry Moore, Jacob Epstein, Patrick Heron and Bridget Riley, all of which are distinguished artists, responsible for great changes in the perception of a contemporary artist and the course which contemporary art took under their influence in painting and sculpture.

Poole locals, and more importantly, the students, will no longer have the rare opportunity to see these pieces of art as they will be moved to a safe but no longer public space. Need I mention what a great contribution to expanding ignorance in an already culturally poor area this will be?



Bournemouth and Poole College’s 2.4 million pounds art gallery, Kube, is closing down on January 31 2010 due to the College withdrawing its funding.


The gallery has been operating since the year 2000, offering opportunities for local, national and international artists and students.

“The collection was originally started by Arthur Andrews in 1956 -57, solely for the students to use, as he felt that they should have the opportunity to see real art,” says Norma Rawlings, a member of Kube’s Community Access and Support Staff.

Kube has housed and cared for the College’s art collection enabling public access to works of art by notable names such as Henry Moore, Jacob Epstein, Patrick Heron and Bridget Riley.

College Principal Lawrence Vincent admitted people would be disappointed but said: “The decision has been based purely on our accountability for spending public money, and the need to ensure that resources are dedicated towards teaching and learning.”

Photographer and volunteer at Kube Scott Irvine expressed his concern: “The College have said that the space will be used as a 'state of the art learning zone', although we believe this means it will become an ICT suite.”

Mr Vincent denied these suspicions, stating: “I would like to reiterate that any future use of the building will categorically not be for office or admin use, and we are still reviewing how best to utilise the space for the advantage of our students.”

http://www.kubepoole.org.uk/intro.aspx